Funnybook Babylon

October 24, 2008

Minx Post Mortem: New York Four

Filed under: Blurbs,Reviews — Tags: , , , , , , — Jamaal Thomas @ 3:12 pm

You might be fooled if you come from out of town.
Snoop Dogg

9578_400x600Brian Wood and Ryan Kelly
New York Four
Minx

New Yorkers born in the outer boroughs live in a city unfamiliar to newcomers (in my mind, newcomers are people who’ve lived here for less than thirty years) and most native Manhattanites. To some, it’s a lost dystopia, a place where risk and uncertainty have been replaced by bland commercialism. To others, it’s not a unified city at all, but a loose collection of insular neighborhood tribes. You’ll hear a lot of different visions of New York from natives, but the one you’re least likely to hear from them is the one presented by Brian Wood and Ryan Kelly in their contribution to the defunct Minx line, The New York Four.

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October 9, 2008

FBBP #75 – O Captain! My Captain!

Filed under: Podcasts — Tags: , , — Joseph Mastantuono @ 10:23 am

A lively discussion of Captain America is followed by an impromptu rambling eulogy for DC’s Minx line of graphic novels. None of us (and I’m guessing none of you) are the target young female audience for these books, but that doesn’t stop us from devolving into a McLaughlin Group style roundtable on how Minx succeeded and failed.

April 16, 2008

FBBP #53 – Superman’s Foreign Policy Regarding Tensions between Tehran and Kandor

This week we talk Criminal #2, The new Howard Zinn comic book, and Pedro comes clean about JSA. Chris got his hands on some preview copies of some Minx Books, and relates his experiences.

We also have a deeper conversation of the about the ign Geoff Johns interview, and I ask “Why should we care?” This inevitably goes into the continuous continuity conversation.

Bringing in a topic that me and Jamaal usually have everyday over beers, this Superman foreign policy article made the rounds of the podcast.

Finally we wrapped up with a discussion of Matt Fraction and Ed Brubaker’s decision to leave Iron Fist, and the implications of short vs. long runs on title characters.

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