Funnybook Babylon

February 14, 2009

FBB Valentine’s Day Weekend: 25 Things Pedro Loves about Comics

On the worst day of the year for single people and absent-minded married men, Team FBB stood back and thought of the things that we love about comics. We capped it at 25 so that this series of articles would be completed sometime this year. One interesting thing that I came across while compiling my list was how many of these selections were based on visual storytelling moments. I’m starting to realize that I enjoy the art side of comics more than the writing.
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December 7, 2008

Alex Ross and Paolo Rivera: Painters Turned Pencillers and Storytellers

This is some stuff I started writing a few weeks ago, when Amazing Spider-Man #577 and JSA Kingdom Come Special: Superman had just hit. It’s a bit late now, but I sort of like where I was going with it, so I’m gonna finish it off anyway.

The week of November 12 was pretty lackluster, but there’s one thing I noticed that I think is worth talking about: we had not one but two painters making their debut with traditional pencil & ink comic book art, which is a significant shift in style for one and… well… we’ll talk later about the other.

Alex Ross wrote, pencilled, and sort-of-inked-but-really-washed-and-shaded the interminably-named Justice Society of America Kingdom Come Special: Superman. I was actually pretty surprised by how decent the scripting and dialogue were; Ross certainly has a huge leg up on Dan DiDio in that department. However, to be completely honest, it’s really only through realizing the story-based context (painted pages are Earth-22, other pages are Earth-0) that I can tell which parts are painted and which parts are colored by Alex Sinclair; while his work here is certainly more kinetic than his work on Marvels and the original Kingdom Come, I don’t know if that’s a function of the switch to pencil & ink as much as it is the passage of time and perhaps him learning from painting over Doug Braithwaite’s dynamic pencils for Justice. (As a side note, I actually like his non-photo-referenced faces in the back thumbnails more than the photoreferenced finished work; the faces are more expressive, and Ross clearly has the chops to be an above-average penciller if he ever wanted to drop the painting and reference and go that route.)

On the other hand, we got Paolo Rivera on Amazing Spider-Man #577. And, uh, damn.
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